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Debra Ann Byrd stars in her one-woman show, “Becoming Othello: A Black Girl’s Journey” at Shakespeare & Company. Photo: Christina Lane

THEATER REVIEW: ‘Becoming Othello: A Black Girl’s Journey’ is a trip you should take

“If I were Shakespeare & Company, I’d bring this mono-drama back every year. It’s that important and that good.”

Becoming Othello: A Black Girl’s Journey
Shakespeare & Company
Written/performed by Debra Ann Byrd, directed by Tina Packer

“Why does it hurt me so?”

When an actor creates a one-man show about himself, to perform himself, I always believe that the need for drama far outweighs the need for truth. In the case of Debra Ann Byrd, now performing her own tale of woe and triumph at Shakespeare & Company under the direction of Tina Packer — herself somewhat prone to self-directed psycho-drama — I expected nothing less. The two women share career goals. Like Packer, the founder of Shakespeare & Company, Byrd was the founder and producing artistic director at Take Wing and Soar Productions and the Harlem Shakespeare Festival. She is also the recipient of the 2009 LPTW Lucille Lortel Award and the 2006 Josephine Abady (former artistic director of the Berkshire Theatre Festival) Award for Excellence in “producing works that foster diversity.” Her history tells me to listen carefully to her story, told her way, and believe what I hear.

Then came the surprise.

After a troubled childhood and disturbing youth, she discovered Shakespeare, created a goal for her life, and pursued it with a zeal that was unshakeable. It led her to a college program in New York City headed by one of my best friends, where she studied under a true mistress of the form, Dr. Elizabeth Swain. I worked with Liz Swain twice, once at her school, the Marymount Manhattan College, on an “Aphra Behn” play, where I witnessed for myself her impact on students like Debra Ann. Had I any doubts left about Byrd’s story, they disappeared completely when she said Swain’s name. It all made sense.

Debra Ann Byrd in “Becoming Othello.” Photo: Christina Lane

Packer’s directorial influence has been the next great thing for Byrd’s work. She moves from the lyrical to the dramatic to the rapturous on this “Black Girl’s Journey,” guided by her own fine instincts and Packer’s critical eye. The combinations here have produced a wonderful piece of theater, one which will always be under construction as she performs it and audiences react.

In a transformative costume designed by Gail Cooper-Hecht on a set created by Devon Drohan, Byrd plays out the lows and highs of her life right through her experiences in three productions of “Othello.” There are dramatic revelations I will not myself reveal and magical moments you must discover for yourself. For two hours, her life is all that matters, and while her verve and vitality is all her own, Packer and Swain have clearly (to me) pumped gas into Byrd’s tank. Meant to be seen outdoors in the Roman Garden Theatre, the wet weather forced opening night into the Tina Packer Playhouse where the anonymous stage lighting proved absolutely necessary.

Would I recommend this show? Absolutely! It is gripping, realistic, theatrical, and dynamic. Would I bring kids? Only If they are prepared for it, but I would. There is much to be learned here, by both adults and children. Byrd has a message to deliver about dreams and plans and the realities of a world not ready to aid the journey. In fact, if I were Shakespeare & Co., I’d bring this mono-drama back every year. It’s that important and that good.

Becoming Othello: A Black Girl’s Journey plays through July 25 in the Roman Garden Theatre at Shakespeare & Co., 70 Kemble Street in Lenox. For information and tickets, visit the Shakespeare & Company website.

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